ProRes 4444’s Alpha channel doesn’t seem to be accepted by the Blackmagic Hyperdeck Studio Mini. It is not an official version of ProRes e.g. x264 RGB: same as x264 but avoids YUV color space, best for storing separate channels in a video like UV map, alpha, 3D pass etc.x265: x264 ~ 25% lighter file for the same quality but slower encoding.A special Youtube upload profile is provided, very easy to use! x264: best H264/AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264.GPU Accelerated Codec HAP: 4 codecs (Hap, Hap Alpha, Hap Q and Hap Q Alpha), you can choose to disable Snappy compression and change the number of CPU blocks and for Hap and Hap Alpha, you can choose your compression algorithm (each has its own balance between speed and quality).ProRes 4444 Light/4444/XQ supports Alpha Channels. ProRes: 6 official profiles (422 LT / Proxy / Normal / HQ / 4444 / XQ) and 2 unofficial profiles (422 Ultra / 4444 Light).Advanced Features: FileSize Size Targeting, 10 bpc, Full Range, YUV 4:2:2/4:4:4, Profile Adjustment, etc.Save time directly in the After Effects render queue without having to use the command line and without using Adobe Media Encoder.Fast, easy-to-use YouTube Upload Profile (one parameter to choose from), respecting YouTube’s upload recommendation.Low bit rate videos have better quality than before and you can display in 8K! Choose the efficiency you need: fast encoding for your previews or low file sizes for final delivery.H264/H265: best and fastest compression.Includes a new ProRes 4444 Light unofficial profile to get both Alpha channel and lower file sizeĪll 4 HAP codecs from Vidvox but with faster algorithms and no resolution limitPremiere Pro & Media Encoder special features: MultiRenders marker, Export all audio tracks separately, fast sub resolution buttons, Custom Frame Rate etc. ProRes 422/4444 / XQ: available even on Windows and earlier Adobe versions.Our latest feature is MultiRender Markers to batch export in Premiere Pro and show a progress bar in your taskbar icon in After Effects when rendering! Features of AfterCodecs MOV.ĪfterCodecs is regularly updated with new codecs, features or speed improvements, check out our Changelog. Note that the chunk parameter, is the maximum chunk count who can be used to encode an HAP frame, it can be lower in practice to have all chunks with the same size.AfterCodecs gives you all the codecs and features you need, without Quicktime and in. If you didn’t know the hardware configuration of the playout computer, use 8 chunks which is a good compromise for most resolution. – Adapt the “chunks” setting to the computer/app used to play your video (most of the time you can define the value of the number of “chunks” to the number of cores of the playout computer). The impact of an empty area on file size is small, but it will increase the resources needed to play your footage. – Try to crop your render to match your content (and avoid big empty areas). – For encoding matte part or wholly grey, use “HAP Alpha Only” if the playout software support it. – For Motion design and real picture, HAPQ codec gives good quality and very fast encoding. – For real picture content, if you use HAP/A codec, Normal quality is a good choice. – If you use HAP/A codec, use Slow quality preset if you have small gradient, otherwise Normal quality. – Use banding reduction in your after effect composition. – Avoid the use of non multiples of 4 pixel resolution (some media server / Gpu don’t work well with non multiples of 4 resolution). – If you need alpha encoding use HAPA or HAPQA
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